{"id":34391,"date":"2026-04-09T08:46:10","date_gmt":"2026-04-09T06:46:10","guid":{"rendered":"https:\/\/educationalevidence.com\/?p=34391"},"modified":"2026-04-10T08:42:05","modified_gmt":"2026-04-10T06:42:05","slug":"gabriel-bertotti-borges-is-god","status":"publish","type":"post","link":"https:\/\/educationalevidence.com\/en\/gabriel-bertotti-borges-is-god\/","title":{"rendered":"Gabriel Bertotti: &#8220;Borges is God&#8221;"},"content":{"rendered":"<p>The writer Gabriel Bertotti. \/ Photo: Courtesy of the author<\/p>\n<p>&nbsp;<\/p>\n<p><a style=\"display: inline-block;\" href=\"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0\/deed.en\" target=\"_blank\" rel=\"license noopener noreferrer\">License Creative Commons <img decoding=\"async\" style=\"height: 22px!important; margin-left: 3px; vertical-align: text-bottom;\" src=\"https:\/\/mirrors.creativecommons.org\/presskit\/icons\/by.svg?ref=chooser-v1\" \/><img decoding=\"async\" style=\"height: 22px!important; margin-left: 3px; vertical-align: text-bottom;\" src=\"https:\/\/mirrors.creativecommons.org\/presskit\/icons\/nc.svg?ref=chooser-v1\" \/><img decoding=\"async\" style=\"height: 22px!important; margin-left: 3px; vertical-align: text-bottom;\" src=\"https:\/\/mirrors.creativecommons.org\/presskit\/icons\/nd.svg?ref=chooser-v1\" \/><\/a><\/p>\n<p><img decoding=\"async\" class=\"alignleft wp-image-12365\" src=\"https:\/\/educationalevidence.com\/wp-content\/uploads\/2024\/01\/Andreu-cover-696x452-1-150x150.jpg\" alt=\"\" width=\"70\" height=\"70\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/twitter.com\/AndreuNavarra\" target=\"_blank\" rel=\"noopener\"><strong>Andreu Navarra<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Gabriel Bertotti<\/strong> (Bah\u00eda Blanca, Argentina, 1963) lives in Mallorca. The author of several unclassifiable books, he has recently republished his novel <em>Luna negra<\/em> (Sloper).<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Let us begin with the story of <em>Luna negra<\/em> itself. How did the text come into being, and how was it first published?<\/strong><\/p>\n<p>It emerged during my years of wandering across the Iberian Peninsula, selling toy frogs at local festivals\u2014from La Magdalena to El Pilar\u2014during winter stays in Cadaqu\u00e9s and Tenerife, in the watertight den of a Chinese shopkeeper in Barcelona, back when no one yet imagined it would one day be called El Raval, and later in my existential restart in Porreres, in Mallorca.<\/p>\n<p>It was written on scraps of paper, napkins and loose sheets, retyped on an electronic typewriter, and revised to exhaustion on the monochrome computer of a friend\u2019s young son\u2014its keyboard sticky with jam\u2014in Bah\u00eda Blanca. It fulfilled an obligatory, initiatory journey that I am glad to have left behind.<\/p>\n<p>It was a finalist for the Tusquets Primer Premio J\u00f3venes Narradores and passed through Antonia Kerrigan\u2019s literary agency until, twelve years after its completion, it fell into the generous hands of Toni Xumet, who published it with a press that flew too high\u2014Editorial El Sol de \u00cdcaro\u2014only to be brought down, after the 2012 edition of <em>Luna negra<\/em>, by the hurricane of successive economic crises.<\/p>\n<p><strong>How would you define Eva Mariscal, your protagonist?<\/strong><\/p>\n<p>As a fusion of Eve newly expelled from Paradise and Lilith\u2014still moist, yet unhumiliated for having dared to mount a God.<\/p>\n<p><strong>What is the Buenos Aires through which your characters drift? What happens to them there?<\/strong><\/p>\n<p>It is the only real Buenos Aires: the fictional one, the remembered one, and therefore the one reinvented out of experiences so close to dreams, lived during the early years following the return to democracy (1983\u20131990), and during the disastrous years of Menem, when everyone was hypnotised by a false prosperity concealing a zombie apocalypse\u2014one that would later culminate in the triumph of the undead, embodied by Milei.<\/p>\n<p>The equation is ignominious: the disappeared versus the zombies.<\/p>\n<p><strong>What do you make of Borges and Aira?<\/strong><\/p>\n<p>Borges is God; Aira, the jester from Dylan\u2019s songs.<\/p>\n<p><strong>\u201cTo return, yes\u2014but a different kind of return. Nothing to do with <em>Volver<\/em> or with Gardel. No journey into the past to recover lost time. In <em>Narig\u00f3n<\/em>, there was a process of displacement, of understanding\u201d (p. 97). Could you elaborate?<\/strong><\/p>\n<p>The childhood home was, in truth, a small house. Parents were not so kind. Many gazes were oblique rather than straightforward. It is a mythological place to which one returns convinced there will be no shadows, that doors will open the other way round.<\/p>\n<p>To reconstruct the past\u2014whether through literature or by taking a flight\u2014grants one the privilege of a time traveller, but also imposes a strict obligation: not to act or interact, not to touch or alter anything. For the return serves only to understand, and is, in essence, an act of existential selfishness that leaves an open wound in those who stayed behind and never made it out.<\/p>\n<p>One must accept that one is a ghost, briefly granted a degree of material presence that expires with a plane ticket\u2014or with the first light of dawn.<\/p>\n<p><strong>What is the temporal structure of your novel?<\/strong><\/p>\n<p>It is an organised chaos: the interplay between simultaneity\u2014the coexistence of events\u2014and the mind\u2019s need to arrange them sequentially. The narrative thread runs from June 1993 to the events recounted in the third part, one year later. Yet in that mythical Buenos Aires, all times coexist, and by turning down a street you should never have taken, you may suddenly come face to face with the regime\u2019s enforcers, the characters of an immeasurable novel by Bioy Casares, or nameless ghosts.<\/p>\n<p><strong>How do you interpret the ending of <em>Luna negra<\/em>?<\/strong><\/p>\n<p>I do not interpret it.<\/p>\n<p><strong>Let us turn to <em>Pasar el rato<\/em>, which you published two years ago. Is it philosophy, poetry, narrative\u2014or none of the above?<\/strong><\/p>\n<p>The perfect answer is already contained in the question.<\/p>\n<p><strong>What do you make of Nietzsche?<\/strong><\/p>\n<p>A prophet, a poet and a musician who followed the reverse path of the Bacchae, sacrificing his human self in order to consecrate himself as the god of excess and cannibalism\u2014remaining for ten years in a vacant gaze worthy of Dionysus, into whom he had been transformed by the syphilitic worms that burrowed into his brain.<\/p>\n<p><strong>\u201cThere is no narrative without curiosity or knowledge\u201d (p. 45).<\/strong><\/p>\n<p>I refer you to the Greeks: Plato in his entirety, and Aristotle.<\/p>\n<p><strong>\u201cThe work of art as the resolution of a mystery\u201d (p. 297). Is that so?<\/strong><\/p>\n<p>Since <em>Oedipus Rex<\/em>, it may well be.<\/p>\n<p><strong>A question of current relevance: \u201cEngland has Falstaff; Spain has Torrente. It is no joke, but a vindication and a tribute\u201d (p. 230). Do you truly believe that?<\/strong><\/p>\n<p>No.<\/p>\n<p><strong>Are writers swindlers?<\/strong><\/p>\n<p>Yes\u2014but the answer is equivalent to the Liar Paradox.<\/p>\n<p>And I\u2019m afraid to say that, while you were reading my answers, I stole your wallet\u2014in which, curiously enough, I found a snail.<\/p>\n<hr \/>\n<p>Source:\u00a0<strong>educational EVIDENCE<\/strong><\/p>\n<p>Rights:\u00a0<strong>Creative Commons<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gabriel Bertotti (Bah\u00eda Blanca, Argentina, 1963) lives in Mallorca. The author of several unclassifiable books, he has recently republished his novel Luna negra (Sloper).<\/p>\n","protected":false},"author":4,"featured_media":34297,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[268,413],"tags":[4343,4333],"class_list":["post-34391","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-humanities","category-literatura-en","tag-gabriel-bertotti","tag-luna-negra"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gabriel Bertotti: &quot;Borges is God&quot; - Educational Evidence<\/title>\n<meta name=\"description\" content=\"Gabriel Bertotti (Bah\u00eda Blanca, Argentina, 1963) lives in Mallorca. 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