{"id":33172,"date":"2026-02-04T09:08:11","date_gmt":"2026-02-04T08:08:11","guid":{"rendered":"https:\/\/educationalevidence.com\/?p=33172"},"modified":"2026-02-04T09:08:23","modified_gmt":"2026-02-04T08:08:23","slug":"la-lucidesa-com-a-eina-per-ferir-te-lart-fosc-de-francisco-jota-perez","status":"publish","type":"post","link":"https:\/\/educationalevidence.com\/ca\/la-lucidesa-com-a-eina-per-ferir-te-lart-fosc-de-francisco-jota-perez\/","title":{"rendered":"La lucidesa com a eina per ferir-te, l’art fosc de Francisco Jota-P\u00e9rez"},"content":{"rendered":"

wal_172619<\/a> –\u00a0Pixabay<\/a><\/p>\n

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Llic\u00e8ncia Creative Commons<\/a>
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Cesc Fortuny i Fabr\u00e9<\/strong><\/p>\n

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En un ecosistema cultural saturat d’autoajuda disfressada de ficci\u00f3 i de productes dissenyats per al consum r\u00e0pid (qu\u00e8 dic r\u00e0pid, ultrar\u00e0pid), l’obra de Francisco Jota-P\u00e9rez<\/strong> esgrimeix una idea esgarrifosa, pensar t\u00e9 un cost<\/strong> i de vegades aquest cost consisteix a assumir que el m\u00f3n que hem constru\u00eft funciona massa b\u00e9 com per a abandonar-nos a l\u2019esperan\u00e7a.<\/p>\n

A la seva feina es percep amb claredat una obsessi\u00f3 central, la distorsi\u00f3. Distorsi\u00f3 de la mem\u00f2ria, del jo, de la percepci\u00f3 del temps, per\u00f2 sobretot la distorsi\u00f3 indu\u00efda per les estructures socioecon\u00f2miques i tecnol\u00f2giques que organitzen la vida contempor\u00e0nia. Jota-P\u00e9rez no es limita a utilitzar aquestes idees com a ornaments, les incorpora al mateix teixit del text. La sintaxi es torna inestable i la puntuaci\u00f3 s’altera. Trobem aqu\u00ed una coher\u00e8ncia radical entre forma i contingut. Si el m\u00f3n es fragmenta, el llenguatge no pot romandre intacte.<\/p>\n

La seva escriptura po\u00e8tica opera com un laboratori on la m\u00fasica del poema no neix de la cad\u00e8ncia sin\u00f3 de la tensi\u00f3 (ehem, del xoc) entre registres. Parlem aqu\u00ed del llenguatge t\u00e8cnic de les ci\u00e8ncies socials, de l’argot tecnol\u00f2gic, de la imatgeria corporal i d’una veu que oscil\u00b7la entre l’assaig embogit per efectes de l’LSD i la invocaci\u00f3 gaireb\u00e9 prof\u00e8tica. En aquesta mixtura, la tecnologia apareix com a mediadora total de l’experi\u00e8ncia humana, i no precisament des de l’entusiasme ni des del rebuig, sin\u00f3 com un fet estructural que reorganitza desitjos, vincles i maneres d’estar al m\u00f3n.<\/p>\n

Llegir Jota-P\u00e9rez \u00e9s acceptar que la literatura pot continuar sent un espai de pensament, per\u00f2 no necess\u00e0riament de consol<\/strong>. Que pot construir atmosferes denses, opressives, carregades de sentit, sense oferir cap eixida. Que pot operar com un mirall fosc en qu\u00e8 el lector no es reconeix del tot, per\u00f2 que tampoc no se’n pot escapar del tot.<\/p>\n

Un dels aspectes m\u00e9s interessants de la seva feina \u00e9s precisament aquesta manera de diluir la frontera entre g\u00e8neres. Narrativa, poesia i assaig es contaminen m\u00fatuament fins a tornar-se indistingibles. Aquest superpoder no sembla respondre a un posat avantguardista, sin\u00f3 a necessitats internes del text. Quan la realitat es presenta com un sistema saturat d’est\u00edmuls, dispositius i discursos superposats, la literatura que aspira a representar-la o discutir-la, no es poden permetre formes pures ni compartiments estancs.<\/p>\n

En aquest context, la \u00abhiperstici\u00f3\u00bb ocupa un lloc clau dins de la seva narrativa, ficcions que es comporten com a ens reals o idees que modifiquen el marc en qu\u00e8 s’enuncien. La l\u00ednia que separa all\u00f2 real del que s’imagina es torna porosa, i el lector es veu obligat a acceptar que certes construccions narratives no descriuen el m\u00f3n, sin\u00f3 que hi operen a sobre. Jota-P\u00e9rez ent\u00e9n molt b\u00e9 que el poder de la ficci\u00f3 no resideix en la seva versemblan\u00e7a, sin\u00f3 en la seva capacitat per reorganitzar les nostres creences molt a l’estil de com ho pret\u00e9n un grimori.<\/p>\n

Tot i aix\u00f2, l’escriptura de Jota-P\u00e9rez no es lliura a un nihilisme adolescent ni a la nost\u00e0lgia reaccion\u00e0ria. No idealitza cap passat ni proposa solucions ut\u00f2piques. Es limita a portar les premisses del nostre present fins a les darreres conseq\u00fc\u00e8ncies.<\/p>\n

L’humor, quan apareix, ho fa com un gest despietat que no alleuja precisament la c\u00e0rrega del text, sin\u00f3 que m\u00e9s aviat la subratlla. La seva ironia funciona com un revulsiu, riure aqu\u00ed no allibera de res ja que el lector es veu a si mateix banalitzant alguna cosa que alhora l’horroritza. Es tracta d’un humor fosc, \u00e0cid, de vegades cruel, que funciona com a mecanisme de distanciament per a adoptar certa perspectiva, i no com una eina per descansar de la densitat narrativa<\/strong> (que de vegades \u00e9s molta), sin\u00f3 per introduir una esquerda des d’on observar el que es diu.<\/p>\n

Des del punt de vista formal, sembla que els seus textos estan compostos per blocs significants que se superposen, s’interrompen i es reconfiguren. Les frases llargues i subordinades generen una sensaci\u00f3 d’immersi\u00f3 o de pensament en proc\u00e9s. El lector no avan\u00e7a per una narraci\u00f3 lineal, sin\u00f3 que es despla\u00e7a per un camp de forces sem\u00e0ntiques on cada imatge empeny la seg\u00fcent.<\/p>\n

Des del punt de vista ret\u00f2ric, la feina de Jota-P\u00e9rez \u00e9s d’una precisi\u00f3 notable. Res no sembla improvisat, i encara que el text adopti l’aparen\u00e7a d’un flux desbordat, cada digressi\u00f3 compleix una funci\u00f3, cada imatge contribueix a construir un paisatge mental coherent en la seva brutalitat. Un exc\u00e9s que reprodueix, a nivell del llenguatge, la saturaci\u00f3 informativa i simb\u00f2lica del m\u00f3n que descriu.<\/p>\n

Qui s’acosti als seus textos faria b\u00e9 de fer-ho sense buscar respostes, i a canvi trobar\u00e0 un treball rigor\u00f3s i exigent sobre el llenguatge, una exploraci\u00f3 constant de com les ficcions modelen all\u00f2 real i una notable capacitat per construir atmosferes denses, inquietants i carregades de sentit, a m\u00e9s d’una experi\u00e8ncia est\u00e8tica que no subestima el lector i que confia en la intel\u00b7lig\u00e8ncia com una forma de plaer.<\/p>\n

El seu extens treball ha vist la llum a revistes, espais virtuals, i un bon nombre de novel\u00b7les; Teratoma<\/em> (Orciny Press, 2017), Endo<\/em> (Orciny Press, 2019), Modulorama<\/em> (El Transbordador, 2022) i M\u00e1quines en acci\u00f3n perfecta<\/em> (Dilatando Mentes, 2023) entre d’altres. Ha participat en diverses antologies, d\u2019entre les quals destacant: Dionisia Pop!<\/em> (editorial Grupo AJEC, 2007) i Antifuente<\/em> (Viaje a Bizancio Ediciones, 2008). Tamb\u00e9 ha cultivat l’assaig; Polybius<\/em> (Antipersona, 2016), Homo Tenuis<\/em> (GasMask, 2016) i Circlusi\u00f3n<\/em> (Dilatant Ments, 2025). Ha treballat la poesia a Napalm Satori<\/em> que va ser guardonat amb un premi Ignotus<\/em> a la Millor Obra Po\u00e8tica, o al seu poema llarg Luz simiente<\/em>. Ha treballat la traducci\u00f3, ha estat guionista de curtmetratges i novel\u00b7les gr\u00e0fiques i fins i tot ha estat lletrista de la m\u00edtica banda de doom metal<\/em> experimental Pylar<\/em>.<\/p>\n

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Font:\u00a0educational EVIDENCE<\/strong><\/p>\n

Drets:\u00a0Creative Commons<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

En un ecosistema cultural saturat d’autoajuda disfressada de ficci\u00f3 i de productes dissenyats per al consum r\u00e0pid (qu\u00e8 dic r\u00e0pid, ultrar\u00e0pid), l’obra de Francisco Jota-P\u00e9rez esgrimeix una idea esgarrifosa, pensar t\u00e9 un cost i de vegades aquest cost consisteix a assumir que el m\u00f3n que hem constru\u00eft funciona massa b\u00e9 com per a abandonar-nos a l\u2019esperan\u00e7a.<\/p>\n","protected":false},"author":4,"featured_media":33177,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[412],"tags":[4035],"class_list":["post-33172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literatura-ca","tag-francisco-jota-perez"],"yoast_head":"\nLa lucidesa com a eina per ferir-te, l'art fosc de Francisco Jota-P\u00e9rez - 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