{"id":32190,"date":"2025-12-12T10:12:59","date_gmt":"2025-12-12T09:12:59","guid":{"rendered":"https:\/\/educationalevidence.com\/?p=32190"},"modified":"2025-12-12T10:12:59","modified_gmt":"2025-12-12T09:12:59","slug":"viladelsac","status":"publish","type":"post","link":"https:\/\/educationalevidence.com\/ca\/viladelsac\/","title":{"rendered":"Viladelsac\u00a0"},"content":{"rendered":"

Coberta del llibre de Dami\u00e0 Bardera. \/ La Segona Perif\u00e8ria<\/p>\n

\u00a0<\/strong><\/p>\n

Llic\u00e8ncia Creative Commons<\/a><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Andreu Navarra<\/strong><\/a><\/p>\n

 <\/p>\n

Merda i crueltat<\/h2>\n

La Segona Perif\u00e8ria reedita aquesta primera i \u00fanica novel\u00b7la de Dami\u00e0 Bardera, amb un pr\u00f2leg molt curi\u00f3s d\u2019Artur Garcia Fuster que ens informa de moltes coses. En primer lloc, Garcia ens explica que Dami\u00e0 Bardera<\/strong> va publicar un total de nou llibres de contes entre 2010 i 2016… Nou llibres. En sis anys. Per tant, ja podem arribar a una primera conclusi\u00f3, si \u00e9s que no hi hav\u00edem arribat abans: ens trobem davant d\u2019un aut\u00e8ntic malalt de literatura, altrament dit graf\u00f2man, si ho preferiu; per\u00f2 ara que ja sabem que en Bardera est\u00e0 ben torrat i que \u00e9s capa\u00e7 de produir tal quantitat de narrativa concentrada, posem-nos-hi amb les exploracions tragic\u00f2miques del fons.<\/p>\n

Tamb\u00e9 explica Garcia que li va deixar la primera edici\u00f3 de Viladelsac <\/em><\/strong>a una \u201camistan\u00e7ada\u201d que li va tornar el llibre al cap de molt poc tot dient-li que la novel\u00b7la no era m\u00e9s que una successi\u00f3 de \u201cpoca-soltades\u201d. I \u00e9s que, torna a tenir en Garcia, el prologuista, amb l\u2019escriptura de Dami\u00e0 Bardera nom\u00e9s poden passar dues coses: que la rebutgis o que no puguis parar de riure. Afortunadament, jo es veu que formo part del segon grup, i aquest realisme surrealista i postrealista, aquest diari d\u2019un nen desaforat que descobreix el salvatgisme i la llibertat foucaultiana, m\u2019estimula la dopamina d\u2019all\u00f2 m\u00e9s. Conclou Garcia que aquests quadres infantils descarnats \u201cpoden tenir un efecte cat\u00e0rtic (la rialla) o poden estripar-te la confortabilitat, perqu\u00e8 t\u2019obliguen, com a lector, a encarar aspectes del comportament o de la moral que molts prefereixen amagar o obviar. Angunieja quan et mostren la ferida\u201d. El principal encert expressiu de l\u2019autor \u00e9s la seva extrema austeritat estil\u00edstica, gens expressionista, que encara ressalta m\u00e9s el caravaggisme<\/em> del conjunt.<\/p>\n

Viladelsac<\/em>, per tant, no \u00e9s un licor per a est\u00f3macs delicats, i s\u2019instal\u00b7la plenament en la tragicom\u00e8dia i l\u2019humor negre. Qui vulgui evadir-se o desitgi historietes per a benpensants, amb llobets amables i moralines rom\u00e0ntiques, que se n\u2019estigui mot d\u2019agafar aquest llibre, cos\u00ed germ\u00e0 dels que escriu el gran Max Besora, i a mig cam\u00ed entre Jes\u00fas Montcada, el Cela del Pascual Duarte<\/em> i el Baltasar Porcel de quan Baltasar Porcel era Baltasar Porcel i parlava de sexe i de coses tel\u00b7l\u00fariques.<\/p>\n

La reconstrucci\u00f3 del primitivisme mental d\u2019un nen que s\u2019adapta a la vida ancestral \u00e9s absolutament fidel a com eren les infanteses abans de la caiguda a Internet. Els nens es caguen al damunt, estimen i odien, se senten fascinats per la crueltat i no acaben d\u2019entendre els fracassos dels adults. Fan plorar les mestres i s\u00f3n ben capa\u00e7os de gaudir tant de la bellesa com d\u2019all\u00f2 estrictament excremencial.<\/p>\n

Qu\u00e8 hi farem! Com a en Mosca, a tots els nens els encanten les tifes del camp i remenar el fang. I si conserven part de nen catal\u00e0 a l\u2019\u00e0nima, de grans fotografien glorioses merdes de vaca i celebren els pets i les llufes: \u201cEl ti\u00f3 m\u2019ha cagat unes botes per anar a engegar les vaques. Si hi vas amb les sabates normals, sempre acabes trepitjant alguna merda i les has de llen\u00e7ar. Les merdes de les vaques semblen ensimades gegants. Quan caguen, alcen una mica la cua i els surt la femta com si expel\u00b7lissin botifarres. Un cop\u00a0 terra, de l\u2019ensimada en surt un vapor pudent durant for\u00e7a estona.\u201d<\/p>\n

A la p\u00e0gina 60 irromp el surrealisme subtil, que despr\u00e9s va clapejant els quadres breus que van fent avan\u00e7ar el diari infantil d\u2019en Mosca: \u201cAvui, al col\u00b7legi, m\u2019ha passat una cosa molt estranya. A l\u2019hora del pati, un nen malparit \u2013en Josep Nemesi- m\u2019ha fotut un cop de roc al cap i he anat a petar a un parad\u00eds infantil. Un oasi de lleixiu, ben blanc. Hi suraven n\u00favols, cactus i troncs de palmera. I s\u2019hi abeuraven tot tipus de nens que no havia vist mai, tots ells de quatre grapes i despullats, esmorte\u00efts com b\u00e8sties de c\u00e0rrega\u201d.<\/p>\n

Un naturalisme freudi\u00e0 presideix les p\u00e0gines de Viladelsac<\/em>. Per a acceptar l\u2019amor i els primers petons, el millor cam\u00ed passa per a acceptar tamb\u00e9 la part cruel de la vida. Hi ha un fons nietszche\u00e0 i anarquitzant en aquesta \u201cfaula negra\u201d de Dami\u00e0 Bardera que explora les infanteses ben aprofitades i la seva terribilit\u00e0 <\/em>intr\u00ednseca. Tots hem conegut nens i nenes brutals amb qui hem rigut com mai, remenant escombraries i entonant eructes llargs com simfonies. Jo tinc una amiga al Bages profund que es tira pets i es passa hores rient per aquest motiu. Un amor meu de l\u2019adolesc\u00e8ncia, una noia amb esperit distingit, la vaig con\u00e8ixer mentre apallissava un lladregot al carrer amb un paraigua. Cantar can\u00e7ons copr\u00f2files era una alegria oberta i expansiva, i aquest tipus de can\u00e7ons ens les ensenyaven les nostres \u00e0vies, que eren com arbres molt amples. La vida municipal i burocr\u00e0tica posterior \u00e9s una aut\u00e8ntica pres\u00f3 mental. Aquesta catalanitat salvatge i desacomplexada de Dami\u00e0 Bardera resulta exemplar en l\u2019actualitat, on ja comencem a estar farts i tips d\u2019historietes pusil\u00b7l\u00e0nimes, emomerdetes pseudoliter\u00e0ries, victimismes i cortesies comercials.<\/p>\n

Esperem que la grafomania barderiana duri molt i que continu\u00ef a aquest ritme portant-nos l\u2019esperan\u00e7a d\u2019una literatura vital i divertida, intel\u00b7lectualment honesta. El futur \u00e9s Dami\u00e0 Bardera i el passat \u00e9s Pilar Rahola.<\/p>\n

\n

T\u00edtol:<\/strong> Viladelsac\u00a0<\/em><\/p>\n

Autor:<\/strong> Dami\u00e0 Bardera<\/p>\n

ISBN:<\/strong> 978-84-19059-50-5<\/p>\n

Editorial:<\/strong> La Segona Perif\u00e8ria<\/p>\n

Idioma:<\/strong> Catal\u00e0<\/p>\n

Nombre de p\u00e0gines:<\/strong> 163<\/p>\n

Data de publicaci\u00f3:<\/strong> novembre de 2025<\/p>\n

\n

Font:\u00a0educational EVIDENCE<\/strong><\/p>\n

Drets:\u00a0Creative Commons<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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