{"id":28104,"date":"2025-05-20T11:48:10","date_gmt":"2025-05-20T09:48:10","guid":{"rendered":"https:\/\/educationalevidence.com\/?p=28104"},"modified":"2025-05-20T11:48:10","modified_gmt":"2025-05-20T09:48:10","slug":"els-vells","status":"publish","type":"post","link":"https:\/\/educationalevidence.com\/ca\/els-vells\/","title":{"rendered":"Els vells"},"content":{"rendered":"

Els vells<\/em><\/h1>\n
\"\"
Editorial Adesiara<\/figcaption><\/figure>\n

Llic\u00e8ncia Creative Commons<\/a><\/p>\n

Edatisme, ahir i avui<\/h2>\n

\"\"<\/p>\n

 <\/p>\n

Andreu Navarra<\/strong><\/a><\/p>\n

 <\/p>\n

No resulta f\u00e0cil valorar o quantificar el que han fet les editorials Adesiara i Edicions de la Ela Geminada a l\u2019hora de recuperar, dignificar i tornar a posar en circulaci\u00f3 cl\u00e0ssics catalans dels segles XIX i XX. Sense la Ela Geminada seria gaireb\u00e9 impossible trobar les novel\u00b7les i relats de Joaquim Ruyra, Prudenci Bertrana i molts dels de la seva filla Aurora, encara m\u00e9s imprescindibles; i sense Adesiara no disposar\u00edem d\u2019edicions actualitzades de Santiago Rusi\u00f1ol, Pous i Pag\u00e8s, Dom\u00e8nec Guans\u00e9, Pompeu Gener, Teresa P\u00e0mies i un nombre ben elevat d\u2019autors que ja nom\u00e9s pod\u00edem trobar a les llibreries Re-Read, i aix\u00f2 si \u00e9rem m\u00e9s r\u00e0pids que altres falcons lletraferits.<\/p>\n

\u00daltimament tamb\u00e9 Barcino s\u2019ha dedicat a posar en circulaci\u00f3 obres fonamentals de Narc\u00eds Oller, Dolors Montserd\u00e0 o Raimon Casellas, i podem dir que mai no es far\u00e0 prou per a recuperar aquestes obres i tamb\u00e9 que cal agrair que un segell (en aquest cas Adesiara) s\u2019arrisqui a reeditar un drama com Els vells <\/em>(1903), representatiu d\u2019un tipus de teatre que va tenir molt d\u2019\u00e8xit a la Barcelona de principis de segle XX i que havia quedat completament oblidat.<\/p>\n

Ignasi Igl\u00e9sias \u00e9s un cl\u00e0ssic del republicanisme obrer catal\u00e0. Aix\u00f2 \u00e9s el primer que cal dir, i per tant no podem permetre que continu\u00ef criant pols a les biblioteques on cada cop va menys gent. Nascut el 1871 a Sant Andreu del Palomar, va conviure amb el teatre modernista d\u2019Adri\u00e0 Gual i Santiago Rusi\u00f1ol, i tamb\u00e9 amb el tardoromanticisme de Guimer\u00e0, per\u00f2 representant una l\u00ednia ibseniana i civil totalment pr\u00f2pia. Gemma Bartol\u00ed, que ha prologat i editat el text, ens explica com s\u2019incardina aquesta obra en el regeneracionisme del tombant de segle i el teatre d\u2019idees amb qu\u00e8 va innovar el poeta obrer que era Igl\u00e9sias. Un altre encert \u00e9s haver col\u00b7locat l\u2019article que li va dedicar Joan Maragall, on defensa l\u2019obra de l\u2019andreuenc perqu\u00e8 la considera, precisament, el tipus d\u2019obra social impregnada d\u2019amor civil que necessitava la ciutat de Barcelona.<\/p>\n

Ara b\u00e9, Els vells<\/em>, estrenada al Romea i publicada el 1903, \u00e9s una obra universal? No podem dir que es tracti d\u2019una obra perfecta, i no tenia aquesta intenci\u00f3. Els vells <\/em>presenta un cas d\u2019injust\u00edcia social i retrata fidelment les classes obreres del pla de Barcelona de la seva \u00e8poca, per\u00f2 \u00e9s una obra on tothom plora massa i on tothom \u00e9s massa pur i massa bo. Als personatges principals els manca profunditat i contradiccions (excepte en Xelet, que \u00e9s un gandul astut que pret\u00e9n viure del sou del fill, i que no porta males intencions d\u2019una manera absoluta); Els vells <\/em>\u00e9s una obra lacrim\u00f2gena que podria haver presentat una estructura m\u00e9s complexa.<\/p>\n

Tanmateix, calia reeditar-la com a testimoni d\u2019una \u00e8poca i d\u2019unes reivindicacions totalment representatives. El cas \u00e9s senzill: Joan i Valeri s\u00f3n filadors experts i han estat acomiadats de la f\u00e0brica pel sol fet d\u2019\u00e9sser ja vells. No hi ha cap tipus de previsi\u00f3 social ni protecci\u00f3 per als desvalguts: alguns dels companys acomiadats estan pensant en su\u00efcidar-se per a no esdevenir una c\u00e0rrega per a la fam\u00edlia. L\u2019Agust\u00ed, que estima l\u2019Engracieta, s\u2019hi vol casar per\u00f2 t\u00e9 dubtes: la vida de l\u2019obrer \u00e9s tan desgraciada que no vol portar fills al m\u00f3n. El quadre \u00e9s angoixant i ver\u00eddic. El text, senzill i directe, dram\u00e0tic i planer. L\u2019editora, Gemma Bartol\u00ed, acaba el seu pr\u00f2leg amb una reflexi\u00f3 oportuna: tornem a viure temps d\u2019un edatisme fastig\u00f3s i gaireb\u00e9 totalitari. De tant en tant apareixen pol\u00edtics br\u00e8tols que recomanen l\u2019eugen\u00e8sia contra les persones grans… Temps inhumans de 1900 que tornen amb la seva cara m\u00e9s brutal i deshumanitzada.<\/p>\n

Tenia ra\u00f3 Maragall i el millor de l\u2019obra \u00e9s la seva tesi social, que es basa en l\u2019amor intergeneracional? El valor del teatre d\u2019Igl\u00e9sias es posa en el seu lloc just quan es compara amb el teatre echegaray\u00e0 que venia omplint els escenaris des de feia d\u00e8cades. L\u2019austeritat absoluta d\u2019Igl\u00e9sias devia significar un aut\u00e8ntic b\u00e0lsam en un segle que venia indigestat de romanticismes tipus El pu\u00f1al del godo<\/em>; a l\u2019escena calia tornar a la realitat i tornar tamb\u00e9 a la llengua popular. M\u00e9s megalomania tridentina ja no tenia cap mena de sentit.<\/p>\n

L\u2019any 1901, Ignasi Igl\u00e9sias havia editat El cor del poble<\/em> i, amb posterioritat, va estrenar i publicar Les garses<\/em>, l\u2019any 1905. L\u2019arribada del Noucentisme el va convertir com a molts coetanis en un marginat literari, i no va escriure res m\u00e9s fins el 1926, i llavors ja s\u2019havia passat a la com\u00e8dia de costums burgeses (La llar apagada<\/em>). L\u2019any 1909 va ser escollit regidor a l\u2019Ajuntament de Barcelona per la Uni\u00f3 Federal Nacionalista Republicana, la formaci\u00f3 dirigida per Pere Coromines que intentava impulsar un catalanisme d\u2019esquerres i simpaties obreres.\u00a0 Igl\u00e9sias es va convertir amb rapidesa en un s\u00edmbol civil, i \u00e9s justament el que hauria de continuar sent amb l\u2019ajuda de la nostra atenci\u00f3.<\/p>\n

\n

T\u00edtol:<\/strong> \u00abEls vells<\/a>\u00bb.<\/p>\n

Autor:<\/strong> Ignasi Igl\u00e9sias (Edici\u00f3 de Gemma Bartol\u00ed)<\/p>\n

ISBN:<\/strong> 978-84-9809-578-4<\/p>\n

Editorial:<\/strong> Adesiara<\/p>\n

Idioma:<\/strong> Catal\u00e0<\/p>\n

Nombre de p\u00e0gines:<\/strong> 175.<\/p>\n

Data de publicaci\u00f3<\/strong>: juliol de 2024<\/p>\n

\n

Font:\u00a0educational EVIDENCE<\/strong><\/p>\n

Drets:\u00a0Creative Commons<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

No resulta f\u00e0cil valorar o quantificar el que han fet les editorials Adesiara i Edicions de la Ela Geminada a l\u2019hora de recuperar, dignificar i tornar a posar en circulaci\u00f3 cl\u00e0ssics catalans dels segles XIX i XX. Sense la Ela Geminada seria gaireb\u00e9 impossible trobar les novel\u00b7les i relats de Joaquim Ruyra, Prudenci Bertrana i molts dels de la seva filla Aurora, encara m\u00e9s imprescindibles.<\/p>\n","protected":false},"author":4,"featured_media":28105,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"1","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[238],"tags":[3049,3047,3048],"class_list":["post-28104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-llibres","tag-editorial-adesiara","tag-els-vells","tag-ignasi-iglesias"],"yoast_head":"\nEls vells - Educational Evidence<\/title>\n<meta name=\"description\" content=\"No resulta f\u00e0cil valorar o quantificar el que han fet les editorials Adesiara i Edicions de la Ela Geminada a l\u2019hora de recuperar, dignificar i tornar a posar en circulaci\u00f3 cl\u00e0ssics catalans dels segles XIX i XX. 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