{"id":22177,"date":"2024-11-20T09:42:44","date_gmt":"2024-11-20T08:42:44","guid":{"rendered":"https:\/\/educationalevidence.com\/?p=22177"},"modified":"2024-11-21T08:01:48","modified_gmt":"2024-11-21T07:01:48","slug":"el-fascinant-acord-stefi-a-la-musica-de-bartok","status":"publish","type":"post","link":"https:\/\/educationalevidence.com\/ca\/el-fascinant-acord-stefi-a-la-musica-de-bartok\/","title":{"rendered":"El fascinant \u201cacord Stefi\u201d a la m\u00fasica de Bart\u00f3k"},"content":{"rendered":"

El fascinant \u201cacord Stefi\u201d a la m\u00fasica de Bart\u00f3k<\/h1>\n
\"\"
Bart\u00f3k, Deux portraits n \u00ba 2 i<\/em>\u00a0Stefi Geyer. Wikimedia<\/span><\/a><\/figcaption><\/figure>\n

Llic\u00e8ncia Creative Commons<\/a><\/p>\n

\"\"<\/strong><\/p>\n

 <\/p>\n

Marta Vela<\/strong><\/a><\/p>\n

 <\/p>\n

Stefi Geyer<\/strong><\/a> (1888-1956) va ser una talentosa violinista hongaresa en qui B\u00e9la Bart\u00f3k<\/strong><\/a> va reparar quan ella cursava estudis de viol\u00ed a l’Acad\u00e8mia de M\u00fasica de Budapest, on ell exercia de professor des del 1907.<\/p>\n

Va ser llavors quan hi va haver un acostament entre la jove violinista de dinou anys i el compositor de vint-i-sis, que van iniciar durant l’estiu del 1907 una intensa relaci\u00f3 epistolar alhora que Bart\u00f3k concebia un concert per a viol\u00ed i orquestra inspirat en una noia tan captivadora. Al setembre d’aquell any, li confessava l’exist\u00e8ncia d’un motiu recurrent, el teu Leitmotiv<\/em><\/strong>, un acord m\u00e9s gran, desplegat en sentit ascendent, coronat per un interval dissonant, la setena major, en una superposici\u00f3 evident de dues cinquenes justes, des d’una visi\u00f3 ac\u00fastica de l’harmonia, que estudiosos com Lendvai<\/strong> han descrit com la \u201csignatura\u201d de Bart\u00f3k<\/strong>.<\/p>\n

\"\"
Bart\u00f3k, Concert per a viol\u00ed\u00a0 n \u00ba 1<\/em>
https:\/\/www.youtube.com\/watch?v=CLDn-F2Q4Gs&t=15s<\/a><\/figcaption><\/figure>\n

 <\/p>\n

No obstant, despr\u00e9s d’una revelaci\u00f3 com aquesta, Bart\u00f3k sermonejava la seva enamorada sobre la decad\u00e8ncia de les classes mitjanes i manifestava el seu ateisme amb cruesa davant una interlocutora profundament arrelada en el catolicisme, juntament amb diversos retrets sobre la seva mandra davant unes lectures imposades per ell, amb qu\u00e8 pretenia polir la formaci\u00f3 de la jove. El compositor acabava el concert de Stefi el febrer de 1908 sabent-ne el rebuig i el progressiu refredament d’una relaci\u00f3 que acabaria amb l’acabament dels estudis de Geyer a Budapest<\/strong> i el seu posterior establiment a Viena, on s’hauria de casar amb un advocat .<\/p>\n

Malgrat tot, el Leitmotiv<\/em> de Stefi<\/strong> va romandre com una empremta indeleble a la m\u00fasica posterior de Bart\u00f3k.<\/p>\n

En les seves primeres obres folkl\u00f2riques publicades, la col\u00b7lecci\u00f3 de Bagateles Op. 6 (1908), Stefi apareixia com a tancament de l’ambici\u00f3s volum\u2026, malgrat les precipitades noces del compositor amb M\u00e1rta Ziegler, una altra de les seves alumnes, aquest mateix any.<\/p>\n

\"\"
Bart\u00f3k, Bagateles Op. 6, XIV<\/em>
https:\/\/www.youtube.com\/watch?v=FPO6xJR6Jew&list=PLBS4VpTglwoARUmN2JTt_iadLpgPu2qCp&index=14<\/a><\/figcaption><\/figure>\n

 <\/p>\n

M\u00e9s tard, l’orquestra dels Deux portraits op. 5\u00a0 [Dos retrats (de Stefi) (1907-1911)], sempre governada per un viol\u00ed solista, reflectia cara i creu de la musa del compositor, una imatge idealitzada a la primera part davant una altra distorsionada a la segona (potser , com l’estimada de Berlioz al final de la Symphonie fantastique (1830)?)…<\/p>\n

\"\"
Bart\u00f3k, Deux portraits n \u00ba 1<\/em>
https:\/\/www.youtube.com\/watch?v=OGHNi0BDeVc<\/a><\/figcaption><\/figure>\n

 <\/p>\n

\"\"
Bart\u00f3k, Deux portraits n \u00ba 2<\/em>
https:\/\/youtu.be\/OGHNi0BDeVc?t=607<\/a><\/figcaption><\/figure>\n

 <\/p>\n

\u2026fins a la seva aparici\u00f3 a la monumental \u00f2pera El castell de Barbablava<\/em> (1911), on el Leitmotive<\/em> de Stefi representava la sensual Judith amb una sofisticada combinaci\u00f3 d’arpa i clarinet, governada de nou pel caracter\u00edstic interval de setena major.<\/p>\n

\"\"
Bart\u00f3k, El castell de Barbablava<\/em>
https:\/\/www.youtube.com\/watch?v=9OBv52AzTGs<\/a><\/figcaption><\/figure>\n

 <\/p>\n

Mentrestant, l’\u00f2pera de Bart\u00f3k no es va estrenar fins a la fi de la guerra, el 1918, mentre que el marit vien\u00e8s de Stefi va morir de la grip mal anomenada espanyola el 1919 malgrat que, l’any seg\u00fcent, tornaria a casar-se amb un m\u00fasic radicat a Zuric. Per\u00f2 tot indica que, amb el temps, tots dos van tornar a tenir un contacte amist\u00f3s, ja que la violinista ajudaria Bart\u00f3k a establir-se als Estats Units, on ella havia fet nombroses gires en el per\u00edode d’entreguerres.<\/p>\n

Stefi Geyer va guardar la partitura del concert de Bart\u00f3k fins al final de la seva vida i, nom\u00e9s despr\u00e9s de la mort de tots dos (la de Bart\u00f3k, a Nova York, el 1945, i la de Geyer, a Zuric, el 1955), l’obra va poder ser interpretada per primer cop el 1958, a Su\u00efssa, de mans del mecenes Paul Sacher<\/strong>, gran amic de la violinista, i el solista Hansheinz Schneeberger<\/strong>, mentre que Isaac Stern<\/strong> l’estrenaria a Carnegie Hall el 1961.<\/p>\n

Bart\u00f3k havia escrit el concert en dos moviments, davant de l’habitual esquema tripartit, com un retrat \u00edntim de Stefi i, en contrast, un altre m\u00e9s desenfadat, sobre el material de Deux portraits.<\/em><\/p>\n

\n

Font:\u00a0educational EVIDENCE<\/strong><\/p>\n

Drets:\u00a0Creative Commons<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Stefi Geyer (1888-1956) va ser una talentosa violinista hongaresa en qui B\u00e9la Bart\u00f3k va reparar quan ella cursava estudis de viol\u00ed a l’Acad\u00e8mia de M\u00fasica de Budapest, on ell exercia de professor des del 1907.<\/p>\n","protected":false},"author":4,"featured_media":22191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"1","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[232],"tags":[2157,2158],"class_list":["post-22177","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-humanitats","tag-bela-bartok-ca","tag-stefi-geyer-ca"],"yoast_head":"\nEl fascinant \u201cacord Stefi\u201d a la m\u00fasica de Bart\u00f3k - Educational Evidence<\/title>\n<meta name=\"description\" content=\"Stefi Geyer (1888-1956) va ser una talentosa violinista hongaresa en qui B\u00e9la Bart\u00f3k va reparar quan ella cursava estudis de viol\u00ed a l'Acad\u00e8mia de M\u00fasica de Budapest, on ell exercia de professor des del 1907.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/educationalevidence.com\/ca\/el-fascinant-acord-stefi-a-la-musica-de-bartok\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El fascinant \u201cacord Stefi\u201d a la m\u00fasica de Bart\u00f3k - 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