{"id":19462,"date":"2024-09-12T09:52:52","date_gmt":"2024-09-12T07:52:52","guid":{"rendered":"https:\/\/educationalevidence.com\/?p=19462"},"modified":"2024-09-12T09:53:08","modified_gmt":"2024-09-12T07:53:08","slug":"rodrigo-blanco-calderon-paris-fou-un-mite-que-sem-va-enfondrar","status":"publish","type":"post","link":"https:\/\/educationalevidence.com\/ca\/rodrigo-blanco-calderon-paris-fou-un-mite-que-sem-va-enfondrar\/","title":{"rendered":"Rodrigo Blanco Calder\u00f3n: “Par\u00eds fou un mite que se’m va enfondrar”"},"content":{"rendered":"

Entrevista a Rodrigo Blanco Calder\u00f3n, escriptor<\/p>\n

Rodrigo Blanco Calder\u00f3n: “Par\u00eds fou un mite que se’m va enfondrar”<\/h1>\n
\"\"
L’escriptor vene\u00e7ol\u00e0, Rodrigo Blanco Calder\u00f3n. \/<\/figcaption><\/figure>\n

Llic\u00e8ncia Creative Commons<\/a><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Andreu Navarra<\/strong><\/a><\/p>\n

 <\/p>\n

El m\u00e9s evident que es pot dir de Rodrigo Blanco Calder\u00f3n<\/strong> (Caracas, 1981) \u00e9s que \u00e9s un dels escriptors m\u00e9s s\u00f2lids del panorama actual en llengua espanyola. El seu estil entre nocturn i contundent, ple de frases tallants i instint breu, no li falla mai, en un m\u00f3n tan ple d’oportunistes i xerrameca buida. Vam tenir l\u2019ocasi\u00f3 de fer-la petar durant el passat festival barcelon\u00ed KmAm\u00e8rica i d’aqu\u00ed va sorgir el meu inter\u00e8s creixent per la seva obra.<\/p>\n

 <\/p>\n

\u00c9s evident que a Simpat\u00eda<\/em> (2021) i en alguns dels teus contes, Caracas \u00e9s un personatge m\u00e9s de la narraci\u00f3. Un ens que respira i envolta els protagonistes en viol\u00e8ncia i desconcert. Et consideres un escriptor social, o mires de fer hist\u00f2ria sobre uns fets recents que el m\u00f3n sembla voler ignorar?<\/strong><\/p>\n

No em considero un escriptor social, talment si pensem en les tesis del realisme social a la literatura i les exig\u00e8ncies que acompanyen una aital est\u00e8tica (que, per a mi, seria la negaci\u00f3 de l’est\u00e8tica). Per\u00f2 \u00e9s cert que elements i successos que han marcat la societat vene\u00e7olana s\u00f3n, sovint, els disparadors de les trames a les meves novel\u00b7les i contes. Jo aix\u00f2 ho veig, o ho utilitzo, com un marc per al desenvolupament dels personatges, que \u00e9s el que al final realment importa.<\/p>\n

Quins s\u00f3n els teus referents literaris principals?<\/strong><\/p>\n

S\u00f3n molts i van canviant amb els anys, per\u00f2 alguns persisteixen: Jorge Luis Borges, Teresa de la Parra, R\u00f3mulo Gallegos, Ricardo Piglia, Juan Rulfo, Roberto Bola\u00f1o, Elisa Lerner, Carson McCullers, Louise Gl\u00fcck, Isma\u00edl Kadar\u00e9, Jos\u00e9 Antonio Ramos Sucre, Joseph Brodsky, Andr\u00e9 Breton, Nicanor Parra, Francisco Massiani, Dar\u00edo Lancini, per dir-ne nom\u00e9s alguns que em v\u00e9nen al cap ara mateix.<\/p>\n

Quins autors o autores vene\u00e7olanes actuals recomanaries?<\/strong><\/p>\n

En narrativa, recomanaria amb entusiasme Juan Carlos M\u00e9ndez Gu\u00e9dez, Maria Elena Mor\u00e1n, Daniel Centeno, Karina Sainz Borgo, Juan Carles Xirinos, Keila Vall de la Ville, H\u00e9ctor Torres, Gabriela Consuegra, Jes\u00fas Miguel Soto i Loredana Volpe.<\/p>\n

En poesia, recomanaria llegir Santiago Acosta, Natasha Tiniacos, Jes\u00fas Montoya, Pamela Rahn, Alejandro Castro, Sonia Chocr\u00f3n, Adalber Salas, Graciela Y\u00e1\u00f1ez Vicentini, Carmen Verde, Yolanda Pantin, Willy Mckey, Igor Barreto, Rafael Cadenas.<\/p>\n

Tinc ent\u00e8s que Simpatia s’inspira en fets reals, que hi va haver una hist\u00f2ria relacionada amb els abandonaments massius de gossos que et va permetre construir la teva novel\u00b7la\u2026<\/strong><\/p>\n

\u00a0<\/strong>S\u00ed, aquesta novel\u00b7la va tenir com un dels seus disparadors l’aband\u00f3 massiu de gossos a Vene\u00e7uela, com a conseq\u00fc\u00e8ncia de l’\u00e8xode massiu de vene\u00e7olans. \u00c9s una situaci\u00f3 que, a hores d’ara, persisteix. Vaig escollir aquest angle per a narrar aquest esquin\u00e7ament que ha implicat l’\u00e8xode vene\u00e7ol\u00e0 com una manera de desfer-me, potser, de la dicotomia de l’emigrat i el que es va quedar. Vaig escollir els m\u00e9s indefensos dels \u00e9ssers, que s\u00f3n sempre els animals. En aquest cas, els gossos.<\/p>\n

Qu\u00e8 s\u00f3n M\u00e0laga i Par\u00eds per a tu?<\/strong><\/p>\n

Par\u00eds fou un mite que se’m va esfondrar quan hi vaig viure durant tres anys. Avui s\u00f3n unes ru\u00efnes majestuoses a on sempre hi vull tornar, per\u00f2 nom\u00e9s de visita. M\u00e0laga, en canvi, \u00e9s un parad\u00eds inesperat i quotidi\u00e0.<\/p>\n

A la teva novel\u00b7la The Night<\/em> (2016) apareix Sergio Pitol. Quina \u00e9s la teva relaci\u00f3 amb la seva escriptura?<\/strong><\/p>\n

Una relaci\u00f3 molt circumstancial. Recordo que quan era adolescent, la meva mare va arribar a casa amb un exemplar de El relat veneci\u00e0<\/em> de Billy Upward<\/em>, signat pel seu autor, Sergio Pitol. Era una antologia de contes de l’escriptor mexic\u00e0 publicada per Monte \u00c1vila als anys noranta. I aquest llibre sempre em va cridar l’atenci\u00f3, tot i que encara hagu\u00e9s de passar molt de temps per tenir la capacitat d’endinsar-me al m\u00f3n de Pitol.\u00a0 \u00a0Despr\u00e9s, quan estava escrivint The Night<\/em> i em vaig posar a indagar la vida de Dar\u00edo Lancini, vaig veure que Pitol va jugar un rol discret per\u00f2 crucial en la seva hist\u00f2ria: va ser ell qui va lliurar a Julio Cort\u00e1zar un exemplar de Sentir Dar\u00edo<\/em>, de Dar\u00edo Lancini. Despr\u00e9s vaig descobrir que Pitol havia estat una temporada a Caracas, als anys cinquanta.<\/p>\n

Com se’t va acudir la trama del teu conte \u201cForats negres\u201d? Explica’ns alguna cosa sobre l’escriptura d’aquest relat.<\/strong><\/p>\n

Aquest relat \u00e9s producte de les meves aventures nocturnes quan vivia a Caracas. Mai vaig tenir cotxe i, moltes vegades, a altes hores de la matinada, em tocava agafar un taxi. Em vaig fer amic de molts taxistes, que s\u00f3n una inesgotable font d’hist\u00f2ries estranyes. I un d’ells em va explicar la de La Tetona<\/em>, una dona que solia anar amb moto i amb els pits a l\u2019aire a altes hores de la matinada per la Cota Mil a Caracas. La Cota Mil \u00e9s una mena d’autopista que circumval\u00b7la d’oest a est la ciutat. I a partir de certa hora, els taxistes s’apostaven en un lloc espec\u00edfic per a veure passar la Tetona, a tota velocitat. \u00abAgujeros negros<\/em>\u00bb \u00e9s un conte que intenta captar el que hi pot haver darrere d’aquesta imatge fuga\u00e7.<\/p>\n

Finalment, preguntes obligades: Qu\u00e8 est\u00e0s escrivint? Quins s\u00f3n els teus projectes actualment?<\/strong><\/p>\n

Estic escrivint un parell de novel\u00b7les. Una curta i una altra molt llarga. Alterno entre un projecte i l’altre.<\/p>\n

Som tots vedells?<\/strong><\/p>\n

Des de la perspectiva de Cronos, del qual tots som fills que serem devorats per ell, s\u00ed.<\/p>\n

\n

Font:\u00a0educational EVIDENCE<\/strong><\/p>\n

Drets:\u00a0Creative Commons<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

El m\u00e9s evident que es pot dir de Rodrigo Blanco Calder\u00f3n (Caracas, 1981) \u00e9s que \u00e9s un dels escriptors m\u00e9s s\u00f2lids del panorama actual en llengua espanyola. El seu estil entre nocturn i contundent, ple de frases tallants i instint breu, no li falla mai, en un m\u00f3n tan ple d’oportunistes i xerrameca buida. Vam tenir l\u2019ocasi\u00f3 de fer-la petar durant el passat festival barcelon\u00ed KmAm\u00e8rica i d’aqu\u00ed va sorgir el meu inter\u00e8s creixent per la seva obra.<\/p>\n","protected":false},"author":4,"featured_media":19598,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"1","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[232],"tags":[1699],"class_list":["post-19462","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-humanitats","tag-rodrigo-blanco-calderon-ca"],"yoast_head":"\nRodrigo Blanco Calder\u00f3n: "Par\u00eds fou un mite que se'm va enfondrar" - Educational Evidence<\/title>\n<meta name=\"description\" content=\"El m\u00e9s evident que es pot dir de Rodrigo Blanco Calder\u00f3n (Caracas, 1981) \u00e9s que \u00e9s un dels escriptors m\u00e9s s\u00f2lids del panorama actual en llengua espanyola. 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