{"id":19321,"date":"2024-09-10T08:13:24","date_gmt":"2024-09-10T06:13:24","guid":{"rendered":"https:\/\/educationalevidence.com\/?p=19321"},"modified":"2024-09-10T08:14:50","modified_gmt":"2024-09-10T06:14:50","slug":"ale-oseguera-la-musa-ha-de-morir","status":"publish","type":"post","link":"https:\/\/educationalevidence.com\/ca\/ale-oseguera-la-musa-ha-de-morir\/","title":{"rendered":"Ale Oseguera: “La Musa ha de morir”"},"content":{"rendered":"

Entrevista a Ale Oseguera, poeta i narradora nascuda a Guadalajara, M\u00e8xic<\/p>\n

Ale Oseguera: “La Musa ha de morir”<\/h1>\n
\"\"
La poeta Ale Oseguera. \/ Foto: Victor Hondartzape<\/figcaption><\/figure>\n

Llic\u00e8ncia Creative Commons<\/a><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Andreu Navarra<\/strong><\/a><\/p>\n

 <\/p>\n

Afincada a Barcelona des de 2006, Ale Oseguera<\/strong> \u00e9s autora dels poemaris Tormenta de tierra<\/em> (2016), Un hotel de cinco estrellas sobre un cementerio<\/em> (2019), Mi rostro es un mapa de mi cuerpo<\/em> (2023) i la novel\u00b7la Realidad en mono<\/em> ( 2020), \u00e9s habitual dels escenaris barcelonins i un no surt indemne dels seus espectacles.<\/p>\n

 <\/p>\n

\u201cUn paracaigudes \u00e9s una inc\u00f2gnita\u201d. \u00c9s un vers de Mi rostro es un mapa de mi cuerpo<\/em> (2023). Podries ampliar-nos-ho?<\/strong><\/p>\n

Se suposa que cadasc\u00fa hauria de construir la seva pr\u00f2pia interpretaci\u00f3 d’aquest i tots els versos; per\u00f2 per fer-ho interessant et dono un parell possibles i senzilles. Una: La superviv\u00e8ncia mai no \u00e9s certera, malgrat els mitjans. Dues: Per qu\u00e8 caic?<\/p>\n

“La Musa som totes nosaltres. Dones utilitzades com a objectes bells que \u201cinspiren\u201d els homes que despr\u00e9s, creen obres i s’emporten el cr\u00e8dit”<\/p><\/blockquote>\n

Qui s\u00f3n les \u2018Germanes del Desordre\u2019? Podries explicar-nos qu\u00e8 han significat per a tu i quina ha estat la seva traject\u00f2ria?<\/strong><\/p>\n

La hist\u00f2ria \u00e9s extensa i acolorida, ja que aquest 2023 ja estem complint deu anys de traject\u00f2ria. Intentar\u00e9 resumir-la. Mad Pirvan, Bel\u00e9n Berl\u00edn i jo ten\u00edem un esperit i una inquietud que era alhora dadaista, po\u00e8tica i postdram\u00e0tica. Vol\u00edem jugar amb la poesia, treure-la del paper, portar-la als escenaris, musicalitzar-la, trencar-la, expandir-la; que la gent la sent\u00eds molt a dins sense arribar a entendre si el que estava experimentant era poesia, teatre o un concert de rock. Aix\u00ed que vam muntar una banda que era alhora aquelarre, lloc segur i companyia teatral. Despr\u00e9s va arribar la genial Laura Tom\u00e1s, que va compondre m\u00fasica per als poemes. Vam gravar un disc, vam publicar un llibre, vam marxar de gira. Ara portem deu anys desbaratant una de les formes tradicionals d’entendre la poesia. Actualment estem en un hiat, reunint energia per a poder fer un retorn a l’al\u00e7ada de les nostres pr\u00f2pies expectatives i el nostre amor per l’escena i el vers.<\/p>\n

\"\"
Ale Oseguera. \/ Foto: Andreu Navarra<\/figcaption><\/figure>\n

Qu\u00e8 \u00e9s La Musa Su\u00efcida<\/em>?<\/strong><\/p>\n

La Musa som totes nosaltres. Dones utilitzades com a objectes bells que \u201cinspiren\u201d els homes que despr\u00e9s, creen obres i s’emporten el cr\u00e8dit. La Musa era la nostra amiga i la nostra germana. Aix\u00ed que li vam compondre un poemari i una obra de teatre. La Musa busca emancipar-se d’aquell Autor que l’explota pel benefici. Per aix\u00f2, ha de deixar de ser musa i convertir-se, ella mateixa, en autora. La Musa ha de morir. Aix\u00ed, el seu su\u00efcidi es converteix en la primera obra d’art. Aquesta hist\u00f2ria s’explica v\u00edvidament a La Musa Suicida<\/em>, el disc i poemari de Las Hermanas del Desorden<\/em>.<\/p>\n

El 2020 vas publicar la teva primera novel\u00b7la, Realidad en mono<\/em>. N’hi haur\u00e0 d’altres? Quins s\u00f3n els teus models narratius?<\/strong><\/p>\n

N’hi haur\u00e0 d’altres i, espero, seran millors que Realidad en Mono<\/em>. A aix\u00f2 aspiro: a escriure cada cop millor. El meu model, no nom\u00e9s narratiu sin\u00f3 po\u00e8tic, literari i creatiu, \u00e9s la hibridesa i la valentia.<\/p>\n

Com es diu aquest instrument estrany amb broquet i teclat que toques a les teves actuacions? D’on el vas treure?<\/strong><\/p>\n

Es diu mel\u00f2dica i me’l va regalar Laura Tom\u00e1s. Primer: perqu\u00e8 la Laura sap que s\u00f3c una gran amant dels instruments anal\u00f2gics. Segon: perqu\u00e8 sona preci\u00f3s. Tercer: perqu\u00e8 vol\u00edem musicalitzar poemes que parlen de vaixells i de funambulistes.<\/p>\n

Per qu\u00e8 vas dient que no tens casa?<\/strong><\/p>\n

Em citar\u00e9 a mi mateixa per respondre’t: \u201cPerqu\u00e8 casa teva, fins i tot sota contracte de compra o lloguer, mai no \u00e9s teva en s\u00f2l estranger\u201d.<\/p>\n

Com definiries la teva poesia?<\/strong><\/p>\n

Com un viatge en espiral a la profunditat d’una selva.<\/p>\n

Odies alguna cosa o alg\u00fa?<\/strong><\/p>\n

Al funcionari que era a la taula 17 de l’Oficina d’Estrangeria de Passeig de Sant Joan a Barcelona el 2016. Donald Trump i Milei. A Vox. Als que posen la m\u00fasica massa alta al metro i a la platja. El maltractament animal i el maltractament infantil. El c\u00e0non de bellesa f\u00edsic femen\u00ed. El meu acne inevitable. La guerra.<\/p>\n

“Casa teva, encara sota contracte de compra o lloguer, mai no \u00e9s teva a s\u00f2l estranger”<\/p><\/blockquote>\n

Qu\u00e8 est\u00e0s llegint?<\/strong><\/p>\n

Un llibre fant\u00e0stic sobre un soldat japon\u00e8s combatent a la Segona Guerra Mundial.<\/p>\n

Qu\u00e8 est\u00e0s escrivint?<\/strong><\/p>\n

Ressenyes liter\u00e0ries, guions radiof\u00f2nics, dossiers de premsa, missatges de Whatsapp, posts d’Instagram, cartes, llistes de pendents, sol\u00b7licituds per a beques i subvencions, el meu curr\u00edculum i cartes de presentaci\u00f3 per a trobar feina, reflexions espont\u00e0nies en llibretes de colors, una novel\u00b7la i les respostes d’aquesta entrevista.<\/p>\n

\n

Font:\u00a0educational EVIDENCE<\/strong><\/p>\n

Drets:\u00a0Creative Commons<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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