{"id":17791,"date":"2024-06-07T11:33:51","date_gmt":"2024-06-07T09:33:51","guid":{"rendered":"https:\/\/educationalevidence.com\/?p=17791"},"modified":"2024-06-07T11:34:03","modified_gmt":"2024-06-07T09:34:03","slug":"hay-un-monstruo-en-el-lago-el-mundo-como-lugar-fantastico","status":"publish","type":"post","link":"https:\/\/educationalevidence.com\/ca\/hay-un-monstruo-en-el-lago-el-mundo-como-lugar-fantastico\/","title":{"rendered":"Hay un monstruo en el lago. El mundo como lugar fant\u00e1stico"},"content":{"rendered":"

Hay un monstruo en el lago<\/em><\/h1>\n

El mundo como lugar fant\u00e1stico<\/em><\/p>\n

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Editorial Debate<\/figcaption><\/figure>\n

Llic\u00e8ncia Creative Commons<\/a><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Andreu Navarra<\/strong><\/a><\/p>\n

 <\/p>\n

Fe i turisme: passejant amb el Monstre del Llac Ness<\/h2>\n

El nou llibre de la incansable Laura Fern\u00e1ndez<\/strong>, que encara t\u00e9 llibres ben calents \u00a0com la monumental novel\u00b7la La se\u00f1ora Potter no es exactamente Santa Klaus<\/em> (Random House, 2021) i la recopilaci\u00f3 de contes Damas, caballeros y planetas<\/em> (Random House, 2023 ), aporta algunes novetats i un cert canvi pel que fa a g\u00e8nere literari. No hi ha dubte que Hay un monstruo en el lago <\/em><\/a><\/strong>\u00a0\u00e9s un assaig, entre altres coses perqu\u00e8 ha estat publicat en una col\u00b7lecci\u00f3 d’assaig breu, per\u00f2 no \u00e9s nom\u00e9s un assaig, perqu\u00e8 jo diria que \u00e9s tamb\u00e9 un text novel\u00b7lesc, vull dir narratiu, i a l’estil \u00abfernandeci\u00e0<\/em>\u00bb, \u00e9s a dir, ple de maj\u00fascules, ironia, incisos, sorpreses i vivacitat, protagonitzat per la pr\u00f2pia Laura Fern\u00e1ndez, i tamb\u00e9 una cr\u00f2nica, el relat d’un viatge a Inverness<\/em> i els seus voltants, i tamb\u00e9 un reportatge. Penso que s’oblida massa sovint que Laura Fern\u00e1ndez \u00e9s una de les millors periodistes culturals en actiu d\u2019avui dia, i si visiteu la seva p\u00e0gina d’autora del diari El Pa\u00eds, us quedareu bocabadats de la quantitat d’anys que fa que toca absolutament tots els temes m\u00e9s \u00abmolons\u00bb: les millors s\u00e8ries, els millors llibres, els m\u00e9s rars, la millor m\u00fasica i la prosa m\u00e9s intel\u00b7ligent i viva\u00e7 que es pugui desitjar.<\/p>\n

A les seves presentacions i actuacions p\u00fabliques, l’autora no es cansa de dir que els objectes inanimats animats (el lector de Laura Fern\u00e1ndez ja sabr\u00e0 de qu\u00e8 estic parlant) s\u00f3n aspectes de la seva biografia o projeccions dels seus estats d’\u00e0nim, cosa que pot significar que una cafetera, una maleta, un fantasma o un dinosaure es poden convertir en vehicles de la veu autorial, una cosa aix\u00ed com ara quan Ricky (de Ricky y Morty<\/em>) s’enrotlla amb col\u00b7lectivitats mundials uniconscients que parlen amb una veu \u00fanica o integrada, per\u00f2 aqu\u00ed la novetat \u00e9s que el dinosaure (perqu\u00e8 Nessie \u00e9s una plesiosaure, per si no ho sabien) sembla que no existeix. I aquesta anomalia \u00abfernandeciana\u00bb<\/em>, qu\u00e8 provoca? A trav\u00e9s de qui parla aquest cop la narradora, ja que el dinosaure m\u00e9s aviat sembla que no acaba de poder existir? Amb qui s’identifica? Resposta: amb els NESSIE HUNTERS<\/strong>, el tronat col\u00b7lectiu de creients que es passa la vida intentant fotografiar o gravar el monstre, la plesiosaure, que podria haver arribat al llac m\u00e9s fam\u00f3s del m\u00f3n a trav\u00e9s d’algun dels misteriosos t\u00fanels que el connectarien al Mar del Nord. I entre aquests ca\u00e7adors del monstre n’hi ha de veritablement pintorescos, com l’estafador i predador sexual Frank Searle<\/strong>, que venia fotografies falses que eren reproduccions de postals d’apatosaures, que es va instal\u00b7lar en una tenda de campanya i despr\u00e9s en una caravana al costat del llac durant d\u00e8cades per reclutar amants; o el cirurgi\u00e0 que va fotografiar un ninot a inst\u00e0ncies d’un director de cinema fracassat, per simular la fotografia m\u00e9s arxiconeguda del monstre, o els historiadors m\u00e9s honrats que d’alguna manera creien en alguna cosa i eren tan nobles com l’agent Mulder (l’elogiat i enyorat Tim Dinsdale, per exemple). O com els Torquil, que van vendre el veler en qu\u00e8 vivien per comprar-se un cami\u00f3 militar que els va servir alhora de llar i de centre d’operacions per intentar localitzar Nessie, entre molts d’altres amb biografies estrany\u00edssimes.<\/p>\n

Per tant, el llibre no se centra en la peculiar exist\u00e8ncia creguda o suposada del monstre del Llac Ness, sin\u00f3 que reflexiona, com a Temporada alta<\/em> (Nadal Suau<\/strong>, Sloper, 2019), sobre la realitat semireligiosa del turisme i les peculiaritats que engendra. Per exemple, una compet\u00e8ncia entre els peluixos de vaques t\u00edpiques amb serrell i els ninots de plesiosaures, o els creuers monotem\u00e0tics. O el fet de revelar que, amb tota seguretat, el matrimoni que va aixecar la llebre sobre l’exist\u00e8ncia de Nessie el 1933 ho va fer, inspirat per la pel\u00b7l\u00edcula King Kong, per atraure viatgers a la seva zona i al seu hotel ignot.<\/p>\n

Laura Fern\u00e1ndez ens va descobrint els secrets d’una hist\u00f2ria real massa inversemblant amb l’estil animat i intel\u00b7ligent que la caracteritza. J. G. Ballard<\/strong> ja ens avisava que les rareses m\u00e9s grans no hav\u00edem d’anar a buscar-les a Mart o Venus, perqu\u00e8 les nostres pr\u00f2pies arquitectures i paisatges humans, del tipus Empuriabrava o Benidorm, ja eren prou inquietants per haver de sortir del nostre m\u00f3n a la recerca d’introspeccions profundes. En aquest cas, all\u00f2 inquietant \u00e9s la quantitat de desig o fe que pot arribar a suscitar una hist\u00f2ria dubtosa sobre un monstre que podria portar viu uns mil cinc-cents anys, perqu\u00e8 resulta que Sant Columba ja l’havia vist cruspir-se uns quants pagesos en el segle VI<\/strong>, tal com va deixar consignat un fosc cronic\u00f3. En aquest sentit, Laura Fern\u00e1ndez s’acosta tamb\u00e9 puntualment a la filosofia, perqu\u00e8 ning\u00fa no est\u00e0 segur de quina mena de realitat \u00e9s Nessie: un semifet? Un semifenomen? Una al\u00b7lucinaci\u00f3 molt seriosa? Una suggesti\u00f3 social? Un desig? Perqu\u00e8, \u201ca difer\u00e8ncia dels fantasmes de la mansi\u00f3 Boleskine, (NESSIE) podria provar f\u00edsicament la seva exist\u00e8ncia, i qu\u00e8 passaria si ho fes? Qu\u00e8 passaria si aparegu\u00e9s? Vet aqu\u00ed una cosa que ni tan sols la ficci\u00f3 s’ha atrevit a imaginar<\/em>\u201d (p\u00e0g. 97); \u00e9s a dir, que en aquesta cr\u00f2nica de fets reals tot es basa en el m\u00e9s inversemblant possible, i aix\u00ed els Nessie Hunters viuen en un estat permanent d’\u00e0nsia de parusia.<\/p>\n

Despr\u00e9s que l\u2019autora ho medit\u00e9s durant molt de temps, el Monstre (perd\u00f3, la \u00abMonstra\u00bb) vindria a ser la garantia que podem viure per a una imaginaci\u00f3 que dinamiti tot sentit com\u00fa<\/strong>, habitant en un viatge concentrat, albirant sense descans una mena de no-res, perqu\u00e8 la hist\u00f2ria del monstre no \u00e9s m\u00e9s que una no-hist\u00f2ria, \u00e9s a dir, una successi\u00f3 d’albiraments puntuals, individuals o col\u00b7lectius, juntament amb una altra successi\u00f3 de estafes m\u00e9s o menys descarades i m\u00e9s o menys intermitents.<\/p>\n

Una s\u00e8rie de estafes que haurien afegit emoci\u00f3 i poesia a la vida, aix\u00f2 no es discuteix. S’expliquen aqu\u00ed coses realment ins\u00f2lites, com el fet que el fam\u00f3s mag satanista Aleister Crowley consider\u00e9s Nessie com la seva mascota i fins i tot li don\u00e9s de menjar com si fos el seu gos (una ovella cada dissabte), perqu\u00e8 va viure durant un temps a la mansi\u00f3 encantada situada a la riba del llac Ness, anomenada Boleskine, plena de fantasmes i de sorolls inquietants, com la detonaci\u00f3 d’un su\u00efcida remot, casa que va ser adquirida per Jimmy Page i que es considera l’origen de la maledicci\u00f3 que va pesar sobre la seva m\u00edtica banda de rock dur, Led Zeppelin.<\/strong><\/p>\n

Una s\u00e8rie de estafes o al\u00b7lucinacions que fins i tot van arribar a la revista Nature o al Parlament brit\u00e0nic. Perqu\u00e8 sobre Nessie es va arribar a fer for\u00e7a pol\u00edtica, sobretot a l’era de Margaret Thatcher i tamb\u00e9 despr\u00e9s del final de la guerra: \u201cA la d\u00e8cada dels 60, es va considerar que, si (NESSIE) apareixia a la riba del loch, si era capturat all\u00ed, pertanyeria, segons la prerrogativa reial -\u00e9s a dir, la s\u00e8rie de privilegis i immunitats que corresponen a la Corona brit\u00e0nica-, a la reina i que, per tant, estaria protegit per les lleis de quelcom anomenat Royal Fish, perqu\u00e8 la criatura seria considerada una mena de peix reial enorme. Un peix que podia, per\u00f2, caminar o obrir-se cam\u00ed fins a la riba<\/em>\u201d (p\u00e0g. 78); i \u00e9s que molts havien vist el monstre passejant-se tranquil\u00b7lament per terra ferma\u2026<\/p>\n

Conclusi\u00f3: que en aquesta hist\u00f2ria el menys estrany \u00e9s el plesiosaure, i el m\u00e9s surrealista \u00e9s l’\u00e9sser hum\u00e0<\/strong>: \u201cQuan una cosa anomenada The International Loch Ness Monster Search Party, \u00e9s a dir, una expedici\u00f3 de presumptes experts japonesos, integrada per suposats ocean\u00f2grafs i bi\u00f2legs i qui sap qu\u00e8 m\u00e9s, i liderada per un tipus -Yoshio Kou- que presumia de comptar entre els seus amics Tom Jones i Muhammad Ali, el boxejador, es va instal\u00b7lar en una de les ribes del llac i va decidir que el trobaria (el MONSTRE), les autoritats brit\u00e0niques van tremolar. Perqu\u00e8, i si passava? I si aquella gent el trobaven i se l\u2019emportaven?\u201d<\/em> (p\u00e0g.87). A m\u00e9s, en aquella \u00e8poca es creia que el llac d’aig\u00fces negres ocultava una fam\u00edlia de meravellosos plesiosaures verd-i-blaus\u2026 Per\u00f2 les autoritats es van tranquil\u00b7litzar ben aviat: Kou no era m\u00e9s que un actor i el seu seguici no estava integrat per cient\u00edfics, sin\u00f3 per una colla de farandulers amants de l’Scotch, i els dinosaures amfibis no van apar\u00e8ixer.<\/p>\n

Qui conegui una mica Laura Fern\u00e1ndez o hagi freq\u00fcentat les seves actuacions p\u00fabliques s’haur\u00e0 adonat que d’alguna manera escriu com parla, viu com escriu, en una torrentera de saviesa descontrolada que provoca reaccions en cadena des dels seus articles i les seves narracions, i tamb\u00e9 en aquesta cr\u00f2nica assag\u00edstica que acaba de publicar, Laura Fern\u00e1ndez en estat pur, multinivell, esbojarrada i, alhora, tan propera.<\/p>\n

\n

T\u00edtol:<\/strong> \u00abHay un mosntruo en el lago. El mundo como lugar fant\u00e1stico<\/em>\u00bb.<\/p>\n

Autora:<\/strong> Laura Fern\u00e1ndez<\/p>\n

ISBN: 978-84-19951-14-4<\/p>\n

Editorial:<\/strong> Debate<\/p>\n

Idioma:<\/strong> Espanyol<\/p>\n

Nombre de p\u00e0gines:<\/strong> 120<\/p>\n

Data de publicaci\u00f3<\/strong>: juny de 2024<\/p>\n

\n

Font:\u00a0educational EVIDENCE<\/strong><\/p>\n

Drets:\u00a0Creative Commons<\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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