{"id":17136,"date":"2024-05-28T11:15:11","date_gmt":"2024-05-28T09:15:11","guid":{"rendered":"https:\/\/educationalevidence.com\/?p=17136"},"modified":"2024-05-28T11:15:34","modified_gmt":"2024-05-28T09:15:34","slug":"la-jota-aragonesa-y-liberal-zaragona-madrid-y-paris","status":"publish","type":"post","link":"https:\/\/educationalevidence.com\/ca\/la-jota-aragonesa-y-liberal-zaragona-madrid-y-paris\/","title":{"rendered":"La jota, aragonesa y liberal. Zaragona, Madrid y Par\u00eds"},"content":{"rendered":"

La jota, aragonesa y liberal. Zaragona, Madrid y Par\u00eds<\/h1>\n
\"\"
Ediciones Pregunta\u00a0<\/span><\/figcaption><\/figure>\n

Llic\u00e8ncia Creative Commons<\/a><\/p>\n

\"\"<\/strong><\/p>\n

 <\/p>\n

Alberto Menj\u00f3n<\/strong><\/p>\n

 <\/p>\n

Jota aragonesa i democr\u00e0cia liberal<\/h1>\n

Tota guerra \u00e9s tamb\u00e9 cultural \u2013ho estem veient actualment\u2013 i tamb\u00e9 tota \u00e8poca respon a una relaci\u00f3 particular entre la naturalesa pol\u00edtica de l’\u00e9sser hum\u00e0 i la seva capacitat per influir en l’art i viceversa. En aquest context, \u2018La jota, aragonesa y liberal<\/em>\u2019 de Marta Vela<\/strong> (Pregunta i Govern d’Arag\u00f3, 2024), continuaci\u00f3 de \u2018La jota, aragonesa y cosmopolita<\/em>\u2019 (Pregunta i Govern d’Arag\u00f3, 2022) ens submergeix en aquest m\u00f3n convuls de revolucions i pronunciaments<\/strong> encaminats a la consecuci\u00f3 dels drets ciutadans en el marc de la incipient democr\u00e0cia liberal decimon\u00f2nica, per tal de refor\u00e7ar l\u2019impuls de la candidatura de la Jota a B\u00e9 Immaterial de la Humanitat de la UNESCO<\/strong>, a la qual donen suport tamb\u00e9 altres investigadors com Gonzalo Preciado-Aranza<\/strong> (Breve historia de la jota aragonesa en el ballet<\/em>, Rolde de estudios aragoneses, 2023).<\/p>\n

Desfilen per les p\u00e0gines de l’autora una pl\u00e8iade d’artistes, com George Sand, Chopin, Zorrilla, Delacroix, Espronceda, Bret\u00f3n, Sarasate o Falla<\/strong> com a secundaris de luxe davant dels tres protagonistes del relat, Florencio Lahoz<\/strong>, m\u00fasic aragon\u00e8s establert a Madrid i primer responsable de la difusi\u00f3 internacional de la jota, Sebasti\u00e1n Iradier<\/strong>, fam\u00f3s compositor d’havaneres i, finalment, Pauline Viardot-Garc\u00eda<\/strong>, prima donna<\/em> internacional i germana de la malaguanyada Malibran<\/strong>\u2026, tres figures compromeses amb l’ideari liberal del moment a trav\u00e9s de la m\u00fasica. A trav\u00e9s d’un trenat de fragments finament entrella\u00e7ats, la hist\u00f2ria comen\u00e7a amb un v\u00edvid fresc del Cinc de mar\u00e7 del 1838 \u2013conegut com Cincomarzada<\/em>, un dels primers festius laics d’Espanya\u2013, recorrent els avatars del segle XIX durant el regnat d’Isabel II i el Segon Imperi a Fran\u00e7a, a partir de l’arribada a Madrid de dos nouvinguts, ambd\u00f3s organistes a prov\u00edncies, Iradier a \u00c0laba i Lahoz a Saragossa, a l’inici del convuls per\u00edode isabel\u00ed en qu\u00e8 el gremi de les arts va suposar un suport fonamental per a les aspiracions de Maria Cristina sobre el futur regnat de la seva filla. Ja aleshores, el 1839, la prestigiosa Revue et Gazette musicale<\/em> de Par\u00eds reconeixia la naturalesa llibert\u00e0ria de la jota aragonesa i, per tant, la seva lluita contra l’obscurantisme: \u201cal costat de la jota i la seguidilla, alhora can\u00e7ons i aires de dansa, els desordres civils d’aquest segle han fet n\u00e9ixer alguns cants que es podrien anomenar pol\u00edtics. El m\u00e9s fam\u00f3s de tots \u00e9s l’Himne de Riego<\/em>\u201d (p. 71).<\/p>\n

El s\u00edmil no era gratu\u00eft, at\u00e8s que el text del que fou himne nacional durant l’anomenat Trienni liberal (1820-1823) seria recreat en diverses can\u00e7ons populars per\u00f2 tamb\u00e9 a la jota aragonesa, de gran \u00e8xit a la capital des de l’estrena de la com\u00e8dia La pata de cabra<\/em>:<\/p>\n

Himne de Riego (Gomis?, 1820):<\/strong><\/p>\n

Soldats, la p\u00e0tria<\/em><\/p>\n

ens crida a la lid,<\/em><\/p>\n

jurem per ella <\/em><\/p>\n

v\u00e8ncer o morir.<\/em><\/p>\n

 <\/p>\n

Jota de les avellanes (Iradier, 1840):<\/strong><\/p>\n

A la jota visca la Reina Isabel,<\/em><\/p>\n

jurem per ella morir o v\u00e8ncer.<\/em><\/p>\n

A la jota jota de les avellanes,<\/em><\/p>\n

que les que em vas donar em van sortir vanes.<\/em><\/p>\n

 <\/p>\n

Mentrestant, Lahoz continuava a Madrid, arrossegant el fabul\u00f3s \u00e8xit de la seva jota, la m\u00e9s famosa de totes les seves obres, que mereixeria despr\u00e9s el comentari de Gald\u00f3s<\/strong> gaireb\u00e9 ja al final dels Episodis nacionals<\/em>:<\/p>\n

Els mestres incipients, com Oudrid<\/strong>, solien afegir-se al cor entusiasta de la colla musical, ja fos a l’estret caf\u00e8 d’Amato, al del Pr\u00edncep o a la pastisseria de Lhardy, i el mateix feia el m\u00e9s jove dels tenors italians de la companyia del Circ, Enrique Tamberlick<\/strong>, que aquell any havia fet el seu debut amb Parisina d’Este. Els concerts privats a casa de Soriano Fuertes estrenyien les amistats, enardien i exaltaven la fe de la religi\u00f3 musical: all\u00ed Oudrid, excel\u00b7lent pianista, donava les prim\u00edcies de la Jota aragonesa amb variacions i de la Fantasia sobre motius de Maria di Rohan<\/em> (p. 101-102).<\/p>\n

El llibre conclou a les vig\u00edlies de la Primera Guerra Mundial, amb dues jotes parisenques, la Jota de Pablo<\/em> de Sarasate i la Jota aragonesa de de las Siete canciones populares espa\u00f1olas<\/em> de Falla, amb l’angoixa de l’inici de la guerra a Par\u00eds. D’aquesta manera, els valors fundacionals de la democr\u00e0cia queden reflectits en la cultura cosmopolita, en qu\u00e8 la jota aragonesa i l\u2019\u00f2pera italiana van constituir un front com\u00fa cap a unes llibertats malaguanyades pel torrent de la Primera Guerra Mundial \u201ccom la f\u00faria de l’Ebre crescut que ho arrossega tot al seu pas\u201d (p. 235).<\/p>\n

\n

T\u00edtol: La jota, aragonesa y liberal: Zaragoza, Madrid y Par\u00eds<\/em><\/p>\n

Autor: Marta Vela<\/p>\n

ISBN: ISBN: 9788419766373<\/p>\n

Editorial: Ediciones Pregunta<\/p>\n

Idioma: Espanyol<\/p>\n

Nombre de p\u00e0gines: 246 p\u00e0gines<\/p>\n

Data de publicaci\u00f3: mar\u00e7 de 2024<\/p>\n

\n

Font:\u00a0educational EVIDENCE<\/strong><\/p>\n

Drets:\u00a0Creative Commons<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Tota guerra \u00e9s tamb\u00e9 cultural \u2013ho estem veient actualment\u2013 i tamb\u00e9 tota \u00e8poca respon a una relaci\u00f3 particular entre la naturalesa pol\u00edtica de l’\u00e9sser hum\u00e0 i la seva capacitat per influir en l’art i viceversa. En aquest context, \u2018La jota, aragonesa y liberal\u2019 de Marta Vela (Pregunta i Govern d’Arag\u00f3, 2024), continuaci\u00f3 de \u2018La jota, aragonesa y cosmopolita\u2019 (Pregunta i Govern d’Arag\u00f3, 2022) ens submergeix en aquest m\u00f3n convuls de revolucions i pronunciaments encaminats a la consecuci\u00f3 dels drets ciutadans.<\/p>\n","protected":false},"author":4,"featured_media":17200,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"1","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[238],"tags":[1243,1242,1241],"class_list":["post-17136","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-llibres","tag-aragonesa-y-liberal-ca","tag-la-jota-ca","tag-marta-vela-ca"],"yoast_head":"\nLa jota, aragonesa y liberal. 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