{"id":16052,"date":"2024-05-13T09:42:20","date_gmt":"2024-05-13T07:42:20","guid":{"rendered":"https:\/\/educationalevidence.com\/?p=16052"},"modified":"2024-05-14T09:50:07","modified_gmt":"2024-05-14T07:50:07","slug":"lart-paleolitic-surt-de-les-coves","status":"publish","type":"post","link":"https:\/\/educationalevidence.com\/ca\/lart-paleolitic-surt-de-les-coves\/","title":{"rendered":"L\u2019art paleol\u00edtic surt de les coves"},"content":{"rendered":"<h1>L\u2019art paleol\u00edtic surt de les coves<\/h1>\n<p>La qualitat i la quantitat de les representacions confereixen a <em>Foz C\u00f4a <\/em>i a<em> Siega Verde<\/em> una entitat perfectament equiparable a la de les grans coves franco-cant\u00e0briques<\/p>\n<figure id=\"attachment_15530\" aria-describedby=\"caption-attachment-15530\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-15530\" src=\"http:\/\/educationalevidence.com\/wp-content\/uploads\/2024\/04\/SV-panel-48-Zona-central-Imagen-directa.jpg\" alt=\"\" width=\"900\" height=\"414\" srcset=\"https:\/\/educationalevidence.com\/wp-content\/uploads\/2024\/04\/SV-panel-48-Zona-central-Imagen-directa.jpg 900w, https:\/\/educationalevidence.com\/wp-content\/uploads\/2024\/04\/SV-panel-48-Zona-central-Imagen-directa-300x138.jpg 300w, https:\/\/educationalevidence.com\/wp-content\/uploads\/2024\/04\/SV-panel-48-Zona-central-Imagen-directa-768x353.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><figcaption id=\"caption-attachment-15530\" class=\"wp-caption-text\">Imatge directa de la zona central i interpretaci\u00f3 general del panell n\u00fam. 48 de Siega Verd, amb m\u00faltiples figures. Entre elles, un gran cavall gravat mitjan\u00e7ant piquetejat i incisi\u00f3 i un c\u00e9rvol representat per m\u00faltiples tra\u00e7os incisos (veure interpretaci\u00f3 a baix).\/ Autor: Eduardo M\u00e9ndez.<\/figcaption><\/figure>\n<p><a style=\"display: inline-block;\" href=\"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0\/deed.es\" target=\"_blank\" rel=\"license noopener noreferrer\">Licencia Creative Commons<img decoding=\"async\" style=\"height: 22px!important; margin-left: 3px; vertical-align: text-bottom;\" src=\"https:\/\/mirrors.creativecommons.org\/presskit\/icons\/by.svg?ref=chooser-v1\" \/><img decoding=\"async\" style=\"height: 22px!important; margin-left: 3px; vertical-align: text-bottom;\" src=\"https:\/\/mirrors.creativecommons.org\/presskit\/icons\/nc.svg?ref=chooser-v1\" \/><img decoding=\"async\" style=\"height: 22px!important; margin-left: 3px; vertical-align: text-bottom;\" src=\"https:\/\/mirrors.creativecommons.org\/presskit\/icons\/nd.svg?ref=chooser-v1\" \/><\/a><\/p>\n<p><strong><img decoding=\"async\" class=\"alignleft wp-image-15519\" src=\"http:\/\/educationalevidence.com\/wp-content\/uploads\/2024\/04\/Manuel-Santonja-1-150x150.jpg\" alt=\"\" width=\"70\" height=\"70\" \/><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Manuel Santonja<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>L\u2019<strong>art rupestre paleol\u00edtic<\/strong> constitueix un dels fen\u00f2mens m\u00e9s suggeridors i insondables del passat remot de la humanitat. El descobriment de la seva exist\u00e8ncia a l\u2019exterior de les coves va ser una de les grans novetats de l\u2019arqueologia paleol\u00edtica europea del darrer quart del segle XX.<\/p>\n<p>El descobriment de la <strong>cova d\u2019Altamira el 1879<\/strong> \u2013que continua sent un dels conjunts m\u00e9s espectaculars que es coneix- va costar molt que fos acceptat. L\u2019estudi de la prehist\u00f2ria estava en aquells temps a Fran\u00e7a encara a les beceroles i als seus il\u00b7lustres pioners se\u2019ls feia molt dif\u00edcil acceptar que unes manifestacions art\u00edstiques tan perfectes poguessin ser obra d\u2019\u00e9ssers primitius. No es podia acceptar una cosa tan espectacular com obra pret\u00e8rita quan el <strong>debat evolucionista lineal<\/strong> impregnava la nova disciplina.<\/p>\n<p>Tot i que, des de feia ja algunes d\u00e8cades, s\u2019acceptaven com a indubtablement paleol\u00edtiques figures d\u2019animals gravades en os, nom\u00e9s el <strong>reconeixement a Fran\u00e7a de coves<\/strong> amb pintures i gravats va permetre, a les acaballes del segle, arribar a un consens sobre l\u2019antiguitat de l\u2019art representat a Altamira. La publicaci\u00f3 el 1901 de les pintures i gravats de <strong>Combarelles<\/strong> i <strong>Font de Gaume<\/strong>, per part d\u2019un jove abat Breuil, va obrir el pas cap a la plena acceptaci\u00f3 de la capacitat expressiva de l\u2019<strong><em>homo sapiens<\/em><\/strong> des dels seus primers temps a Europa, amb la conseg\u00fcent invalidaci\u00f3 del transformisme radical propi del paradigma prehist\u00f2ric del segle XIX. Al llarg del segle XX el nombre de coves descobertes amb art paleol\u00edtic no va deixar d\u2019augmentar, especialment al sud de Fran\u00e7a i a la cornisa cant\u00e0brica de la pen\u00ednsula ib\u00e8rica.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_16040\" aria-describedby=\"caption-attachment-16040\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-16040\" src=\"http:\/\/educationalevidence.com\/wp-content\/uploads\/2024\/05\/SV-panel-48-Interpretacion.jpg\" alt=\"\" width=\"700\" height=\"468\" srcset=\"https:\/\/educationalevidence.com\/wp-content\/uploads\/2024\/05\/SV-panel-48-Interpretacion.jpg 700w, https:\/\/educationalevidence.com\/wp-content\/uploads\/2024\/05\/SV-panel-48-Interpretacion-300x201.jpg 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption id=\"caption-attachment-16040\" class=\"wp-caption-text\">Interpretaci\u00f3 general del panell n\u00fam. 48 de Siega Verde (imatge superior), amb m\u00faltiples figures.\/ Autor: Eduardo M\u00e9ndez.<\/figcaption><\/figure>\n<p>A comen\u00e7aments de la d\u00e8cada de 1980 van comen\u00e7ar a identificar-se panells a l\u2019aire lliure amb figures gravades completament semblants a les de les coves, i les hip\u00f2tesis basades en l\u2019acceptaci\u00f3 com a substancial de la ubicaci\u00f3 d\u2019aquestes representacions en la foscor troglodita es van anar afeblint. Tot i que ja se\u2019n coneixien a entrades o zones abrigades poc profundes on hi arribava la llum del dia, en les interpretacions dels investigadors l\u2019art quaternari es valorava com una expressi\u00f3 rec\u00f2ndita. Que l\u2019acc\u00e9s en fos dif\u00edcil amb freq\u00fc\u00e8ncia influ\u00efa notablement en les hip\u00f2tesis que el relacionaven amb la m\u00e0gia propiciat\u00f2ria de <strong>la ca\u00e7a o de la fertilitat, fins i tot amb el totemisme<\/strong> i amb la realitzaci\u00f3 de pr\u00e0ctiques d\u2019iniciaci\u00f3 en els conjunts m\u00e9s amagats.<\/p>\n<p>Alguns dels primers panells admesos estaven situats, com Altamira, a la pen\u00ednsula ib\u00e8rica. <strong>Piedras Blancas<\/strong>, a Almeria, <strong>Domingo Garc\u00eda<\/strong><em>, <\/em>a Seg\u00f2via i <strong>Mazouco<\/strong><em>, <\/em>a Portugal, a la riba del Duero, en el tram que forma frontera amb Espanya. Eren unitats a\u00efllades, per\u00f2 poc despr\u00e9s, el 1988 i el 1994, van anar apareixent els primers conjunts extensos, <strong>Siega Verde<\/strong> a Salamanca i <strong>Foz C\u00f4a<\/strong> a Portugal, a la regi\u00f3 comuna d\u2019ambd\u00f3s pa\u00efsos en qu\u00e8 s\u2019encaixa profundament la xarxa fluvial del Duero.<\/p>\n<p>L\u2019estaci\u00f3 salmantina es localitza al marge esquerra del riu <em>\u00c1gueda<\/em> i ocupa quasi un quil\u00f2metre dels termes de <em>Villar de Arga\u00f1\u00e1n <\/em>y <em>Villar de la Yegua<\/em>. S\u2019hi han descrit al voltant de cent panells amb <strong>quasi mig miler de gravats<\/strong>, animals i esquemes no figuratius de naturalesa simb\u00f2lica, que repeteixen les convencions de representaci\u00f3 documentades a les coves. Dels animals, la meitat representen cavalls i, una quarta part, urs. En menor mesura, c\u00e8rvids i caprins, aix\u00ed com algun carn\u00edvor i fins i tot un possible antropomorf. El complex de <em>Foz C\u00f4a<\/em> integra unes noranta localitats repartides al llarg dels \u00faltims quinze quil\u00f2metres de la vall d\u2019aquest riu, amb un conjunt total de m\u00e9s de 1300 panells descrits, tot i que cap d\u2019ells s\u2019atansa a les dimensions de <em>Siega Verde. <\/em><\/p>\n<figure id=\"attachment_16035\" aria-describedby=\"caption-attachment-16035\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-16035\" src=\"http:\/\/educationalevidence.com\/wp-content\/uploads\/2024\/05\/SV-panel-15-imagen-directa.jpg\" alt=\"\" width=\"700\" height=\"322\" srcset=\"https:\/\/educationalevidence.com\/wp-content\/uploads\/2024\/05\/SV-panel-15-imagen-directa.jpg 700w, https:\/\/educationalevidence.com\/wp-content\/uploads\/2024\/05\/SV-panel-15-imagen-directa-300x138.jpg 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption id=\"caption-attachment-16035\" class=\"wp-caption-text\">Imatge directa i interpretaci\u00f3 del panell n\u00fam. 15 de\u00a0Siega\u00a0Verd. Les representacions principals, gravades per\u00a0piqueteado, corresponen a un cavall i un\u00a0uro\u00a0mirant en direccions oposades.\/ Autor: Eduardo M\u00e9ndez.<\/figcaption><\/figure>\n<figure id=\"attachment_16046\" aria-describedby=\"caption-attachment-16046\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-16046\" src=\"http:\/\/educationalevidence.com\/wp-content\/uploads\/2024\/05\/SV-panel-15-Interpretacion.jpg\" alt=\"\" width=\"700\" height=\"427\" srcset=\"https:\/\/educationalevidence.com\/wp-content\/uploads\/2024\/05\/SV-panel-15-Interpretacion.jpg 700w, https:\/\/educationalevidence.com\/wp-content\/uploads\/2024\/05\/SV-panel-15-Interpretacion-300x183.jpg 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption id=\"caption-attachment-16046\" class=\"wp-caption-text\">Interpretaci\u00f3 del panell n\u00ba 15 de Siega Verde. \/ Autor: Eduardo M\u00e9ndez.<\/figcaption><\/figure>\n<p>La qualitat i la quantitat de les representacions confereixen a <em>Foz C\u00f4a <\/em>i a<em> Siega Verde<\/em> una entitat perfectament equiparable a la de les grans coves franco-cant\u00e0briques justificant la inscripci\u00f3 del complex portugu\u00e8s en la llista de patrimoni mundial de la <strong>UNESCO<\/strong> a la fi de 1999, estesa a l&#8217;agost de 2010 a Siega Verde. Actualment, el nombre de jaciments a l\u2019aire lliure amb art rupestre paleol\u00edtic a la pen\u00ednsula ib\u00e8rica ha augmentat considerablement i, tot i que segueix destacant la concentraci\u00f3 a les valls dels afluents del Duero, s\u2019han trobat altres localitzacions notables per tot l\u2019interior peninsular, a les conques del Tajo i del Guadiana.<\/p>\n<p>En definitiva, el descobriment de conjunts situats totalment a l\u2019exterior ha determinat un canvi profund en la percepci\u00f3 d\u2019aquest univers art\u00edstic. Es despr\u00e8n de l\u2019aur\u00e8ola misteriosa que l\u2019envoltava i ha quedat molt m\u00e9s ben connectat amb les activitats quotidianes del grups de ca\u00e7adors recol\u00b7lectors que el practicaven en el <strong>Paleol\u00edtic superior<\/strong>. Tal vegada mai no arribarem a con\u00e8ixer significats concrets, per\u00f2 les manifestacions a plena llum del dia remeten a escenaris comparables als de les societats primitives actuals, la polis\u00e8mica expressi\u00f3 art\u00edstica de les quals ens brinda els termes comparatius m\u00e9s apropiats.<\/p>\n<p>___<\/p>\n<h6>Refer\u00e8ncies:<\/h6>\n<p>Sobre l\u2019estat actual de la investigaci\u00f3 a <em>Siega Verde<\/em> i al<em> C\u00f4a<\/em>:<\/p>\n<p><a href=\"https:\/\/www.cenieh.es\/sites\/default\/files\/congress\/files\/ActualidaddelainvestigacionenlasestacionespaleoliticasdeSiegaVerdeyelvalledelCoa.pdf\">https:\/\/www.cenieh.es\/sites\/default\/files\/congress\/files\/ActualidaddelainvestigacionenlasestacionespaleoliticasdeSiegaVerdeyelvalledelCoa.pdf<\/a><\/p>\n<p>Informaci\u00f3 per a visitar els jaciments:<\/p>\n<p><a href=\"https:\/\/siegaverde.es\">https:\/\/siegaverde.es<\/a><\/p>\n<p><a href=\"https:\/\/arte-coa.pt\">https:\/\/arte-coa.pt<\/a><\/p>\n<hr \/>\n<p>Font:\u00a0<strong>educational EVIDENCE<\/strong><\/p>\n<p>Drets:\u00a0<strong>Creative Commons<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019art rupestre paleol\u00edtic constitueix un dels fen\u00f2mens m\u00e9s suggeridors i insondables del passat remot de la humanitat. El descobriment de la seva exist\u00e8ncia a l\u2019exterior de les coves va ser una de les grans novetats de l\u2019arqueologia paleol\u00edtica europea del darrer quart del segle XX.<\/p>\n","protected":false},"author":4,"featured_media":15531,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"1","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[219],"tags":[985,986,987],"class_list":["post-16052","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ciencia-ca","tag-art-paleolitic","tag-art-rupestre","tag-siega-verde-ca"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>L\u2019art paleol\u00edtic surt de les coves - Educational Evidence<\/title>\n<meta name=\"description\" content=\"L\u2019art rupestre paleol\u00edtic constitueix un dels fen\u00f2mens m\u00e9s suggeridors i insondables del passat remot de la humanitat. 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